About Human Traces
Five years in the research and writing, the epic Human Traces, Faulks’s seventh novel, was, and remains, his most ambitious yet. Its theme is the nature of humanity: the make-up of our conscious minds and what it is that makes humans so perplexingly different from other creatures.
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The story begins in the 1870s with the lives of two young men: Jacques Rebière, a peasant’s son in Brittany, and Thomas Midwinter, a merchant’s son in Lincolnshire. Jacques has a naturally scientific turn of mind, in which he is encouraged by the help of the local priest. He is inspired by his desire to find a cure for the mysterious illness of his elder brother Olivier -- who hears voices and is confined by his father to a stable. Jacques studies to become a doctor.
Thomas is forced, reluctantly at first, into medicine by his father and by the friendly concern of his elder sister Sonia. He is at first more interested in literature, and approaches medicine, then psychiatry, from a humane, psychological standpoint.
Jacques and Thomas meet in Deauville, fall intellectually in love and promise to join forces in their life’s work: an attempt to understand the mystery of the human mind and in particular the meeting of thought and flesh. Jacques studies under the great neurologist Charcot in Paris; Thomas sees madness close up as a junior doctor in an English county lunatic asylum.
By working overtime in private practice, the two friends make enough money to open a clinic in Carinthia, in the south east part of what is now Austria. Here, they will realise their life’s dream. The Schloss Seeblick, as they call it, will deal in all manner of mental afflictions; and the fees of the wealthy will subsidise the treatment of the poor. Jacques by now has married Sonia, Thomas’s sister, and it is a time of high hope and ambition.
On the basis of what he has learned from Charcot and from his reading of German philosophers, Jacques develops an all-encompassing theory he calls ‘psychophysical resolution’, which explains how mental trauma can express itself in physical symptoms and how, using hypnosis and by taking the patient back over her early life, a cure can be effected. This theory is clearly close, if not identical, to early psychoanalysis. Jacques delivers a long lecture at the Schloss, outlining his idea. Faulks demonstrates that all the building block of psychoanalysis were already in the public domain.
Thomas meanwhile discovers that a beautiful young Anglo-German girl, Katharina (Kitty), one of Jacques’s patients, whom he has been treating for ‘hysteria’, is in fact dangerously ill with more mundane complaints. She is treated in the local hospital. Thomas falls in love with her and explains to Jacques how his desire to make everything fit his theory has led him into dangerous error. Thomas marries Kitty and they have twin daughters, but his partnership with Jacques will never be the same.
As Jacques pursues the psychological approach to madness, Thomas’s trajectory has crossed the other way. By treating Olivier, he becomes interested in the biological and hereditary aspects of mental illness. He travels to East Africa to further his researches and narrowly escapes death when the expedition goes wrong. Jacques meanwhile has been on sabbatical to California to inspect a cable car system which will enable him and Thomas to build the clinic of their dreams at the summit of a local mountain.
Construction work begins, and in one extraordinary passage we see life from inside the mind of the schizophrenic Olivier, who throws himself suicidally from the top of the mountain where the clinic had been destined to represent the peak of enlightenment. At the post-mortem of his brother, Jacques confronts the mind-body problem in bloody detail.
In a lecture that parallels Jacques’s earlier one, Thomas expounds his own theories about the central role of madness in the development of the human mind. His words fall on deaf, and shocked, ears. It seems that both men, so ambitious and idealistic at the start, face the fate of many would-be pioneers: failure and disgrace. Jacques enters into a passionate affair with a woman he has met in California. His and Sonia’s only son, Daniel, goes off to fight in the First World War. He is at Passchendaele and later in the Italian campaign.
As the two men go to meet their final destinies, it is the figure of Sonia who dominates the closing sections of the book. Practical and modest, she embodies the blind desire of the human being to continue, to do its best, whatever the mysteries of our brief lives. She goes to visit the deserted childhood home of her husband and on the stable wall she sees the manacles with which the young Olivier was bound. Inside the dark peasant house she glimpses a figure, perhaps the ghost of Jacques’s mother, who died in giving birth to him. In a conclusion that orchestrates the themes of the preceding 650 pages into a final crescendo, it is Sonia whose footprints trail for a moment in the sand before they are covered over at last.
was published to wide acclaim in September 2005. One or two specialist reviewers defended their own areas of expertise from what they saw as criticism in the novel; some non-specialists found the passages of neurological explication too taxing. The great majority of early readers, however, applauded the huge ambition and erudition of the work, and responded warmly to the moving frailty of the characters in their search to do good.
· For a long and occasionally demanding novel, it has proved surprisingly popular with the wider public and has sold more than half a million copies so far in the UK.
· Responding to audience questions at literary festivals, Faulks has more than once referred to Human Traces
as his personal favourite among his novels.
· 'Human Traces is a masterpiece, one of the great novels of this or any other century – a work that should be studied in every sixth form, an affirmation of humanism to rank alongside anything by George Eliot or Henry James.’
Sir Trevor Nunn, Independent
‘It is of a Russian novelist, Tolstoy, that one finds oneself thinking while reading Human Traces
– something about the novel’s lovely but unnerving mixture of epic grandeur and shattering personal simplicity; the burning, idealistic engagement with the human condition of its principal characters; and the infinitely touching courage of their attempts to make a difference. This is a bold and remarkable work of imagination, particularly in its daring remastery of the nineteenth-century novel form and the sustained grace of its prose… An amazing feat of intellectual athleticism.’
Jane Shilling, Sunday Telegraph
· Human Traces
is dedicated to Arthur Faulks, the author’s younger son.
· Faulks had to alter his working day in order to complete the novel. ‘I realised that I would never finish the reading and research unless I could up my working time to something like nine hours a day,’ he said in 2005. ‘I gave up lunch, so there was no energy lag at mid-day. I lost almost a stone, but I did finish.’
· Research took Faulks to three continents. His wife accompanied him to California and to Tanzania, where they had several interesting encounters with local wildlife.
· One of the working titles for Human Traces was The Footsteps on Mount Low
, and this is wrongly listed by some websites as a separate book.